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  Stylus Magazine: "Rachel Herrick's Obeasts"
7/21/2011



Stylus (an online magazine out of London) did an overview of the MOCS project. Unfortunately you have to be a paying member to view it.
   
  WUNC's The State of Things: Origins of Obesity
7/7/2011



JULY 7, 2011: Rachel participates in a panel discussion about obesity on The State of Things radio talk show and is interviewed about the MOCS project.
   
  Big Fat Blog: Art installation critiques the dehumanization of fat people
6/2/2011



JUNE 2, 2011: BFG (Big Fat Blog) picked up on MOCS via Jezebel. This site is an important source of information and ideas in the fat community. The writer notes "I've got to say, I found the website provocative even though I looked at it already knowing the intention." The comments mirror this opinion.
   
  Metafilter: Although cute, obeasts are wild animals
6/2/2011



JUNE 2, 2011: Metafilter, an academic idean and information hub, covers the MOCS project. The comments are mixed, articulate, and vehement both for and against the work.
   
  Jezebel: Meet The North American Obeast, A Reclusive & Endangered Species
6/1/2011



JUNE 1, 2011: Dodai Stewart reviews the MOCS project for Jezebel. The blog post generated 90,000 views and stirred up some controversy about the work. Very interesting (and varied) perspectives in the comments.
   
  Now Public: "Rachel Herrick: Tracking the Wild Obeast"
6/1/2011



JUNE 1, 2011: Now Media publishes about MOCS, noting "This item came to our attention via Jezebel, though it's only a matter of time before it catches on. Our prediction: someone will get offended, and the Obeast story will be reported with the terms "is causing controversy".
   
  Art Review: MECA students deftly open door to new horizons
5/29/2011



MAY 29, 2011: Art critic Daniel Kany reviews the MECA MFA thesis show at the ICA in Portland, Maine.

"The most impressive, ambitious and unusual work in the show is Rachel Herrick's "Museum for Obeast Conservation Studies." ... Herrick has a professional hand. Everything in her "Obeast" piece is top-notch, from the phenomenal taxidermy-style, life-size Obeast on her grassy pedestal, to the wall images mapping the evolution of the Obeast from a walrus, to the glossy museum brochure and the slick informational kiosk complete with artifacts and videos. (The "museum's" terrific website is part of the work: obeasts.org.) ... I was mortified when I first saw the installation, because I could have been looking at one the most offensive works of art I had ever seen... I can't remember the last time my moral sensibilities had been so thoroughly challenged... Allergic to self-pity, Herrick subtly relates that obese Americans have to deal with people who routinely confuse physical largess with diminished mental capacities. Part of the joke is that Herrick plays no heavy-handed card, and leaves bigots to twist in the wind of ignorance -- never the wiser despite her razor-sharp educational and informational professionalism."